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What Supplies Do I Need for Watercolor Painting? Best For Consumer

Only with the right utensils can you get the most out of your watercolor painting. Here you can find out which watercolor accessory is recommended if you want to devote yourself to ambitious water painting. For this, we will discuss 10 different accessories and show you what is important when buying them.

10 things you need for watercolor painting


The color is your most important watercolor accessory ever. With her, your art stands and falls.

You should choose a color that will do justice to your experience with this medium. You do not have to buy the premium paint right away if you’ve never painted a watercolor. Nor should you buy at the beginning of the cheapest watercolors from the discounter. Fortunately, there are affordable options for beginners that are good quality and affordable.


The choice of the brush for watercolor painting is a personal choice. Some artists prefer a certain shape, brand or material of the brush to spread the watercolor on the painting surface. All these factors influence the final result.

Soft brush hairs are the most popular in watercolor painting, as they can be gently guided over the color carrier in contrast to bristle brushes. Most synthetic brushes keep their shape a little better and can be targeted.

Stiff bristle brushes are largely avoided in water painting, as the color itself is very gentle and flowing both in texture and in effect.

For many artists, a small but fine assortment of high-quality, synthetic round and flat brushes of various sizes is perfectly adequate.

Watercolor paper

Watercolor paper, together with the paint and brushes, is the most important material for a successful watercolor painting. The paper for watercolor painting is extremely absorbent, so you can apply several layers of color without bulges.

There are three categories in which each watercolor paper can be divided:

  • Cold press paper: Pressed between cold cylinders that give the paper its distinctive surface with small pits.
  • Hotpress paper: Hot press paper is pressed between hot cylinders so that the final product is a bit more level than the cold-pressed alternative. The heat soothes the surface, so you can paint visible brush strokes best on this paper.
  • Scratch paper: All papers that are not pressed between cylinders. Such watercolor papers are either pressed in a different way, or it is completely omitted on a compression. This paper has the coarsest surface texture.

The weight of the paper also allows conclusions about the quality of the product. In general, heavy paper is preferable because it can absorb many layers of paint without buckling and without the color losing luminosity. Also, because heavier papers usually cost more to manufacture than lighter ones, one conclusion suggests a higher quality.

Masking tape

Painter’s tape or masking tape should be in your watercolor supplies to fix your sketch paper on a stable surface. The rather weak adhesive tape, which is used in renovations, is completely sufficient to fix small leaves.

Just as well, you can use the ribbon to give your paper a frame so you do not get too close to the edge of the sheet.


Masking fluid (also known as masking rubber or scratch-off crepe) is applied to an already painted surface to protect it when superimposing multiple layers of paint. Masking Liquid is an essential watercolor accessory that is often forgotten but very important for optimal control.

If you want to overlay several layers of watercolor paint, the new color will always activate the old, already dried color as you brush over it with water again. In order to avoid color chaos, the masking liquid is applied to the already existing color layer.

When using the masking fluid, make sure you use an old, discarded brush that you no longer need to paint. The liquid made of latex can stick the brush hairs and destroy the brush if it is not cleaned properly.


A natural sponge absorbs paint and reproduces it with its own structure. Since natural sponges are textured differently, it can be quite useful to have several different sponges always ready.

Stable ground

Most watercolor artists prefer to fix their watercolor paper on a firm surface so that the paper does not bulge and it does not slide back and forth. Also, the positioning of the image succeeds better with a background in matching size. For example, you can fix the watercolor paper on an easel without damaging the image, or pan the image in a flat paint position to create gradients.


Either you choose a paint box with cups to touch your color creations, or you need a palette.

Make sure that the watercolor palette is water repellent, as watercolor will quickly enter the material and be wasted. Cardboard or a paper, which many artists use makeshift, is therefore not recommended as a watercolor accessory. A pallet of plastic or one of sealed wood is a better choice.

It is also important that the paint can be removed without residue so that you can keep track of your creations even after a few painting sessions.


If you start with aqua paint, the pencil should not be missing in your watercolor accessories. Especially at the beginning, it is worthwhile to make a preliminary drawing in pencil, so that your final watercolor works retains its proportions.

Generally, the pencil signatures will not be visible later. But there are also artists who use a pencil or a fine liner to go into their own watercolors to emphasize color areas with dark pen strokes.

Watercolor pencils

Watercolor pencils are also a form of watercolor paint but pressed and in the form of a pencil. This allows the pens to be processed almost like a completely different medium. You can use them like classic crayons, or add water to their watercolor-typical effect.

Not every water painter swears by the use of these pens. However, you should have tried it at least once to make your own experiences. Since the mine can be guided so precisely, much more detailed strokes are possible than with a brush.

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